One of the better known of Brahms’ many Hungarian Dances originally composed for piano duet. This highly effective arrangement by Carlo Martelli successfully conveys the excitement and verve of the original.
£10.95
One of the better known of Brahms’ many Hungarian Dances originally composed for piano duet. This highly effective arrangement by Carlo Martelli successfully conveys the excitement and verve of the original.
One of the better known of Brahms’ many Hungarian Dances originally composed for piano duet. This highly effective arrangement by Carlo Martelli successfully conveys the excitement and verve of the original.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Brahms wrote 21 Hungarian Dances of which this is one of the most well known. Originally written for piano duet, and here arranged for string quartet by Carlo Martelli, it is in an extravert style with good spanking tunes and simple rhythms.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 1 (String Quartet)
This charming and characteristic dance is one of Grieg's many pieces for piano with a distinct national flavour, here expertly transcribed for string quartet by Carlo Martelli. For conservatories and professionals.
Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.