Arranged by Stephen Wick, this is show piece for two solo piccolo trumpets and is a sumptuous alternative to the Purcell. For advanced students and professionals. Review: "A brief transcription that could be used as a concert opener or as the last piece before the intermission. It is a technically challenging work for all of the instruments and will require good flexibility and range from all players. It is tastefully done and recommended." – Barton Cummings September 1994
A leading free-lance tuba player, he comes from a family of brass players and started his professional career at age 17. He studied music at the University of Surrey and graduated with 1st class honours. He has worked with major symphony and chamber orchestras. In 1992 he took up the post of Professor of Tuba at the London College of Music.
At last, a Mozart arrangement that works for brass! A charming ländler but with the colourful addition of a piccolo trumpet that represents the post horn, and a set of tuned sleighbells (that can be replaced by the more commonly found unpitched sleighbells). Great fun for classy Christmas concerts, but needs a piccolo trumpet player capable of holding high notes! Arranged by Stephen Wick.
Written for Thames Brass, a successful professional brass ensemble in which the horn player at the time was one of the composer's former students. Having spent much of his life as a horn player, and having also had the honour of working with the finest players, in Movements for Brass the composer explores the sonorities of brass in a way that is rewarding to play.
Arranged by Robin Benton, all brass players and their audiences should enjoy this rousing well known March from Verdi's 1871 grand opera Aida. The Egyptian army has returned from its victory over the Ethiopians and the melodies are suitably triumphant in style. The first melody ends with trumpet fanfares leading to the well known second melody which is repeated in a higher key. The opening theme returns and the March ends with a rousing coda.
Dowland was the most famous composer of his day - he had an international reputation and was famous for the beauty of his songs. The dance numbers here show a complexity way beyond the normal brass consort music of his time. The gentle Semper Dowland, Semper Dolens is one of the most beautiful pieces of the 16th (or indeed any) Century. Arranged by Stephen Wick and suitable for students and professionals.
This attractive brass quintet based on the traditional sea shanty What Shall We Do With The Drunken Sailor opens with a fanfare followed by a main theme, first on trumpets and then on the horn. A series of linked variations follow, with the tune passed between the instruments in constantly changing tempos and styles. A strong rhythmic accompaniment keeps the sea shanty mood and the piece finishes with a showy flourish. Arranged by Eileen Clews, this light hearted work gives each player the chance to show off their instrument, so making it an ideal concert piece or a study piece for brass workshops.
Arranged by Tom Whitehurst, this is a joyful and descriptive solo for Tuba, as it tries to emulate the movement of an elephant. For secondary schools, colleges, professionals, amateurs and community performing groups.