Arranged by Stephen Wick, this is show piece for two solo piccolo trumpets and is a sumptuous alternative to the Purcell. For advanced students and professionals. Review: "A brief transcription that could be used as a concert opener or as the last piece before the intermission. It is a technically challenging work for all of the instruments and will require good flexibility and range from all players. It is tastefully done and recommended." – Barton Cummings September 1994
A leading free-lance tuba player, he comes from a family of brass players and started his professional career at age 17. He studied music at the University of Surrey and graduated with 1st class honours. He has worked with major symphony and chamber orchestras. In 1992 he took up the post of Professor of Tuba at the London College of Music.
This attractive and well laid out piece, by Essex composer Alan Danson, is generally tonal and contains interesting rhythmic interplay and changes of time to keep performers (and listeners!) on their toes.
A beautiful melody for French horn, this famous tenor aria, arranged by Tom Whitehurst, is full of soul, passion and tragedy. Vesti La Giubba - put on the costume and prepare to laugh. For colleges conservatories, professionals, amateurs and community performing groups.
This arrangement of familiar nursery rhymes was intended as a means of introducing younger children to the medium of the brass quintet. Each rhyme is dressed in a musical identity, with each player given plenty of note activity. Some rhymes are slightly tongue in cheek while others are blatantly satirical. The work opens and closes with the rhyme Oranges and Lemons and the medley runs logically lasting for 5 to 6 minutes. It is an ideal encore item or light alternative to follow a quintet that might have challenged both performer and listener. A Medley of Rhymes for Five Brass is a popular addition to serious concert programmes.
This arrangement by Robin Benton uses just two of the numerous themes from Richard Wagner's overture to his 1868 opera The Mastersingers of Nuremberg. The opening theme represents the Mastersingers themselves. This dignified melody is stated and then developed contrapuntally, leading to the second theme - this theme is used in the opera for the entry of the Mastersingers. The music builds to a climax that introduces a short reprise of the majestic Mastersingers theme, and triumphant fanfares bring the piece to a rousing finish.