Arranged by Carlo Martelli, the final movement of Beethoven’s seventh symphony, once described by Wagner as the apotheosis of the dance, is one of the most rumbustious and exciting ever composed by any symphonist.
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Arranged by Carlo Martelli, the final movement of Beethoven’s seventh symphony, once described by Wagner as the apotheosis of the dance, is one of the most rumbustious and exciting ever composed by any symphonist.
Arranged by Carlo Martelli, the final movement of Beethoven’s seventh symphony, once described by Wagner as the apotheosis of the dance, is one of the most rumbustious and exciting ever composed by any symphonist.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movement 3 (String Quartet)
Arranging symphonically orientated works for string quartet is always a daunting challenge, especially when there is a pronounced virtuosic element or a high degree of complexity in the original. In this publication Carlo Martelli has risen magnificently to the challenge as always.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet) – Digital Download
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Pathétique Piano Sonata No. 8 Movement 1 (String Quartet)
One of the most well known movements of Beethoven's 32 piano sonatas, this splendid arrangement by Carlo Martelli is a welcome addition to Broadbent and Dunn's Classic String Quartet Collection.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 8 Movement 4 (String Quartet)
This final movement of Beethoven's penultimate symphony has many unique features, not the least of which is the immensely protracted coda which is longer than the whole of the movement that precedes it. Arranged by Carlo Martelli for colleges, conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 8 Movement 3 (String Quartet)
This movement from the composers Little Symphony, as he called it, abandons the rumbustious style of the scherzo movements of his immediately preceding five symphonies, and is instead a graceful minuet. Arranged by Carlo Martelli. For colleges, conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Pathétique Piano Sonata No. 8 Movement 3 (String Quartet)
One of the most well known movements of Beethoven's 32 piano sonatas, this splendid arrangement by Carlo Martelli is a another welcome addition to Broadbent and Dunn's Classic String Quartet Collection.