One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.
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One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.
One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 6 Movement 1 (String Quartet)
This opening movement, of perhaps Beethoven's most lyrical and contemplative symphony, lends itself particularly well to transference to the string quartet. Beethoven meant this movement to evoke the awakening of cheerful feelings on arrival in the country. This skilful arrangement by Carlo Martelli captures the mood intended just as well as the original.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet)
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movement 3 (String Quartet)
Arranging symphonically orientated works for string quartet is always a daunting challenge, especially when there is a pronounced virtuosic element or a high degree of complexity in the original. In this publication Carlo Martelli has risen magnificently to the challenge as always.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Movement 2 (String Quartet) – Digital Download
Beethoven's nine symphonies have for nearly two hundred years formed the backbone of the orchestral repertory. This movement from the first of these symphonies, though already strongly marked with the composers personality, retains some traces of the 18th century, especially of Haydn. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 8 Movement 2 (String Quartet)
This movement of Beethoven's Little Symphony, as he called it, was inspired by the ticking of the metronome which had recently been invented by a friend of the composer. Arranged by Carlo Martelli. For conservatories and professionals.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 3 Eroica Movement 1 (String Quartet)
The Eroica is the first significant work of Beethoven's second period in which he enlarged the whole scale and vocabulary of music. This, the opening movement of that towering masterpiece is a triumphant paean to heroism and liberty. Arranged by Carlo Martelli.