Adam – O Holy Night (Flute & Piano) – Digital Download
Following a bell-like introduction, the O Holy Night melody is heard in different colours, first on the flutes mid register, then in the piano bass, back to the flute and its higher register and then in a more chordal manner from the piano's treble. This arrangement by Rebecca Faith has a definite gradual growth in richness and emotion, climaxing at the key change where the flute is heard playing a very passion filled counter melody.
Following a bell-like introduction, the O Holy Night melody is heard in different colours, first on the flutes mid register, then in the piano bass, back to the flute and its higher register and then in a more chordal manner from the piano's treble. This arrangement by Rebecca Faith has a definite gradual growth in richness and emotion, climaxing at the key change where the flute is heard playing a very passion filled counter melody. All of Rebecca's Christmas Carol arrangements are fresh, exciting and uniquely crafted, and are very much for the concert platform rather than a sing-along or play-along at home with Dad playing the piano part. These beautiful arrangements require work on the part of both flautist and pianist, as with a demanding accompaniment they are very much a duo. The majority are for the advanced flautist, minimum grade 6-7 standard, as there are some complicated rhythms, flutter tonguing and technically challenging jazzy-style passages. Highly recommended and well received by audiences there is nothing else available like them, and so these challenging yet thoroughly enjoyable arrangements fill a gap in the market and are an effective and welcome addition to the repertoire, providing some festive music with a rather different flavour, away from the usual standard melody with accompaniment. The collection of 10 Christmas Carols was written for the flute and piano duo Tranquillo, who recorded them as their debut album Tranquillo Christmas in 2010, a CD that has attracted some excellent reviews and can be purchased for £10 (plus P&P) from www.tranquilloduo.com Review: "O Holy Night is perhaps one of the most popular arrangements in Rebecca’s set of Christmas music. The opening is reminiscent of Christmas bells, then the flute takes the melody line, accompanied by gentle treble chords on the piano. The texture builds towards the 'chorus', where arpeggios and chords in the piano part give the music a rich sonority. The key change towards the end lifts the music, together with the decorated melody in the flute part. A beautiful arrangement that will have the audience humming along!" – Sarah Waycott & Hannah Mitchell of Tranquillo Duo, July 2013 Review: "Another charming arrangement of a Christmas Carol from Rebecca, and always nice to have a lesser-known carol to perform. The accompaniment is fairly straightforward and the parts fit together pretty easily. It sits well within the range of the flute covering all three octaves and is pleasant to listen to. This would suit a student of around grade 7 standard upwards for a school Christmas concert or a professional player looking for something festive for a Christmas party or as an encore for a concert during that season." – Dr. Rachel Smith DMA, MA, BMus (Hons), FTCL – October 2013 Review: "Don't you just love Christmas music? It is always wonderful to hear and play, I don't think we ever get sick of it, but sometimes it is good to have new arrangements and this is what we've got here. If you are Grade 5 standard and above, I'm sure you will enjoy exploring these excellent arrangements by Rebecca Faith. Each title is a separate edition, very well presented. The arrangements are varied in style and the piano parts not too difficult. If you have a performance coming up this Christmas, one of these will go down extremely well with the audience. They aren't just the tune with the piano accompaniment, but skilful arrangements with imaginative harmonies and key changes. Highly recommended." – Liz Goodwin on www.flutewise.com October 2013
Rebecca Faith was born in Aberdare, South Wales. She was brought up surrounded by music and was taught to play the piano from the age of two. Rebecca went on to study music at Cardiff University, graduating in 2007 with a BMus degree and obtaining a Masters degree in Music Composition the following year.Rebecca is now a freelance composer. Her passion is to write music that crosses the boundaries between genres and appeals to classical and non classical music lovers alike. In 2010 Rebecca was commissioned by the piano and flute duo Tranquillo to compose and arrange their debut album. The music attracted reviews from the British Flute Society and The Musicians Union. In 2012 Rebecca's music was performed at St David's Hall Cardiff as part of the Welsh BBC proms and also at the London Trafalgar Square St Martin in the Fields concert series. Rebecca also gives piano tuition and teaches music theory at Hebron Piano School. Being keen to combine both her teaching and composition skills she writes new contemporary educational piano music. She was commissioned by Alfred Music Publishing to arrange a collection of 60 national anthems in celebration of the London 2012 Olympics.
The last movement Langport March is a Trinity College London Grade 5 Exam Piece for Flute until the end of 2020 Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March has been a Trinity College London Grade 5 Exam Piece for Flute since 2007.
Describing a person's feelings towards his or her partner Melody of Love shows continuing affection in a couple of variations. Impressions reflects moods, sadness and nostalgic thoughts, leading to a short melody of joy before returning to impressions of life, and Air is a serene hymn like melody with a feeling of peace.
Sonata for Flute and Piano, Opus 17 is written in a late Romantic style. The first movement is constructed essentially in traditional sonata-allegro form, with an extensive coda augmenting the new material heard in the development. The passionate second movement opens with a lyrical theme that culminates into a free cadenza at the end. The third movement is written in theme and variation form. Of importance, the fifth variation is written as a four-part fugue and the final variation culminates by joining the theme of the third movement with that of the first. This work not only adds to the existing repertoire of intermediate-advanced flute music, but also teaches young people about traditional classical forms such as the rondo, theme and variations and the fugue. For the history of the composition please see Jim Kelsey's biography. Suitable for teaching studios, secondary schools, colleges and conservatories.
A lively interpretation by Rebecca Faith, the Joy to the World melody is heard layered with original melodies and motifs. An interesting rhythmic idea binds the piece together making it sparkle and dance, with the underlying semiquaver movement creating an exciting shimmer effect. The constant shifting of key, texture and melodic ideas makes this an arrangement that will keep both the performer and listener on their toes.
In this arrangement the exploration of register and alternative harmonies, together with the sustain pedal, creates an image of sound reverberation in open spaces. The piano's open fifths in the middle of the piece gives an eastern feel. Rebecca Faith has added a new original theme alongside the main melody that gives a fresh unique quality - this theme immediately sets the atmosphere in the piano introduction and is later heard more powerfully on the flute, returning at the close of the piece in the high register of the piano creating a music box like feel.