Wind Quintet
Traditional arr. Thackray – The Animals Went In Two By Two (Wind Quintet) – Digital Download
Excellent for young audiences, the arrangement, by Roy Thackray, is helpful in learning to recognise the sound of the instruments, both together and separately. For colleges, conservatories and professionals.
Excellent for young audiences, the arrangement, by Roy Thackray, is helpful in learning to recognise the sound of the instruments, both together and separately. For colleges, conservatories and professionals.
Children in particular will enjoy listening to this rousing piece, arranged by Roy Thackray, which has also proved very suitable for audience participation. For schools, colleges and professionals.
Children in particular will enjoy listening to this rousing piece, arranged by Roy Thackray, which has also proved very suitable for audience participation. For schools, colleges and professionals.
One of the most well known tunes of all. Once attributed to Henry the Eighth and introduced here in a beautiful new arrangement by Carlo Martelli. This arrangement was recorded on the CD British Light Music Premieres Vol. 2, released in 2005 by Dutton Epoch CDLX 7151.
One of the most well known tunes of all. Once attributed to Henry the Eighth and introduced here in a beautiful new arrangement by Carlo Martelli. This arrangement was recorded on the CD British Light Music Premieres Vol. 2, released in 2005 by Dutton Epoch CDLX 7151.
Like its predecessor, Christmas Medley One, this is a cleverly devised potpourri by Carlo Martelli of some of your favourite Yuletide tunes framed by Jingle Bells, one of the most recently composed. Other carols included in this concatenation are Ding Dong Merrily on High, Good King Wenceslas, I Saw Three Ships and Hark The Herald Angels Sing. Suitable for concerts, encores, or just sheer enjoyment.
Like its predecessor, Christmas Medley One, this is a cleverly devised potpourri by Carlo Martelli of some of your favourite Yuletide tunes framed by Jingle Bells, one of the most recently composed. Other carols included in this concatenation are Ding Dong Merrily on High, Good King Wenceslas, I Saw Three Ships and Hark The Herald Angels Sing. Suitable for concerts, encores, or just sheer enjoyment.
Recorded by the Pavão Quartet on the CD A Christmas Collection (released in 2007 on Discrete Recordings DISC 0702), this is a skilfully concocted collection by Carlo Martelli of several well known seasonal favourites, including Away in a Manger, The First Nowell, The Holly and the Ivy, We Wish You a Merry Christmas, Past Three O'clock, God Rest Ye Merry Gentlemen, O Come All Ye Faithful and Jerusalem. Suitable for concerts, encores, or just sheer enjoyment.
Recorded by the Pavão Quartet on the CD A Christmas Collection (released in 2007 on Discrete Recordings DISC 0702), this is a skilfully concocted collection by Carlo Martelli of several well known seasonal favourites, including Away in a Manger, The First Nowell, The Holly and the Ivy, We Wish You a Merry Christmas, Past Three O'clock, God Rest Ye Merry Gentlemen, O Come All Ye Faithful and Jerusalem. Suitable for concerts, encores, or just sheer enjoyment.
In this arrangement the exploration of register and alternative harmonies, together with the sustain pedal, creates an image of sound reverberation in open spaces. The piano's open fifths in the middle of the piece gives an eastern feel. Rebecca Faith has added a new original theme alongside the main melody that gives a fresh unique quality - this theme immediately sets the atmosphere in the piano introduction and is later heard more powerfully on the flute, returning at the close of the piece in the high register of the piano creating a music box like feel.
In this arrangement the exploration of register and alternative harmonies, together with the sustain pedal, creates an image of sound reverberation in open spaces. The piano's open fifths in the middle of the piece gives an eastern feel. Rebecca Faith has added a new original theme alongside the main melody that gives a fresh unique quality - this theme immediately sets the atmosphere in the piano introduction and is later heard more powerfully on the flute, returning at the close of the piece in the high register of the piano creating a music box like feel.
Flute & Piano
Traditional arr. Faith – God Rest Ye Merry Gentlemen (Flute & Piano) – Digital Download
Deliberately fun and slightly tongue in cheek, this arrangement by Rebecca Faith is challenging but highly enjoyable. The new composed melodies become as much loved as the original tune, seamlessly layered and intertwined. The descending bass line, punchy accents and shifting time signatures give this piece a sense of a 'swing' style. Definitely a piece that requires strong drive and attitude.
Deliberately fun and slightly tongue in cheek, this arrangement by Rebecca Faith is challenging but highly enjoyable. The new composed melodies become as much loved as the original tune, seamlessly layered and intertwined. The descending bass line, punchy accents and shifting time signatures give this piece a sense of a 'swing' style. Definitely a piece that requires strong drive and attitude.
Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.
Five sea shanties arranged by Alan Danson, each presented with a little twist. The clarinet provides a stomach lurching rolling motion in Blow the Man Down while bended tones on the cor anglais and bassoon provide a quasi queasiness to the arrangement. Set in a stoic march mood The Mermaid has the members in antiphonal fanfares at the close of the setting, along with the occasional (intended) mis-pitched flattened 7th on the Clarinet, while 'Drunken sailor' is given an up tempo treatment with horn call references to the chase. Bobby Shaftoe is in true dancing mood, with a beguine feel to the middle section before ending the shanty with toe tapping togetherness.
The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.
The first in a series of three, each movement of these arrangements by Alan Danson presents a 'quasi cameo' of the character of its American origins. Ragtime Cakewalk suggests the essence and style of this type of dance through the chuckling cor anglais, solid bassoon accompaniment and counter line on the clarinet. In Cowboy's Toon the bassoon provides a laid back foundation, whilst the clarinet and oboe duet side by side with a line incorporating some of the bending tones one might expect to hear from the cowboy's drawl. In Barn Dance a sense of team enjoyment is portrayed, with the clarinet line accompanied by high jinks, vocal calls and clapping from the Cor Anglais and Bassoon.
This attractive brass quintet based on the traditional sea shanty What Shall We Do With The Drunken Sailor opens with a fanfare followed by a main theme, first on trumpets and then on the horn. A series of linked variations follow, with the tune passed between the instruments in constantly changing tempos and styles. A strong rhythmic accompaniment keeps the sea shanty mood and the piece finishes with a showy flourish. Arranged by Eileen Clews, this light hearted work gives each player the chance to show off their instrument, so making it an ideal concert piece or a study piece for brass workshops.
Brass Quintet
This attractive brass quintet based on the traditional sea shanty What Shall We Do With The Drunken Sailor opens with a fanfare followed by a main theme, first on trumpets and then on the horn. A series of linked variations follow, with the tune passed between the instruments in constantly changing tempos and styles. A strong rhythmic accompaniment keeps the sea shanty mood and the piece finishes with a showy flourish. Arranged by Eileen Clews, this light hearted work gives each player the chance to show off their instrument, so making it an ideal concert piece or a study piece for brass workshops.
Traditional
Traditional & Parry arr. Thorp – Welsh Rum and Rarebits (String Quartet) – Digital Download
We have all heard of Wales described as the Land of Song, but in this lively medley (a companion piece to Bill Thorp's Suite Irish Sherry), the well-known folk songs David of the White Rock, Cadair Idris and The Ash Grove are combined with lesser-known Welsh dance tunes Hunting the Hare, Powell's Fancy and Corris’ Whim, culminating in the unforgettable (and certainly unpronounceable!) Pibddawns gwŷr Gwrecsam. Originally arranged for a wedding this is a fun piece that is perfect for 'function' quartets. With interest in all parts it is a good piece for any string quartet, whether student, amateur or professional, to relax with and enjoy in concert or at home.
We have all heard of Wales described as the Land of Song, but in this lively medley (a companion piece to Bill Thorp's Suite Irish Sherry), the well-known folk songs David of the White Rock, Cadair Idris and The Ash Grove are combined with lesser-known Welsh dance tunes Hunting the Hare, Powell's Fancy and Corris’ Whim, culminating in the unforgettable (and certainly unpronounceable!) Pibddawns gwŷr Gwrecsam. Originally arranged for a wedding this is a fun piece that is perfect for 'function' quartets. With interest in all parts it is a good piece for any string quartet, whether student, amateur or professional, to relax with and enjoy in concert or at home.