£13.95

The first movement First Waltz is a delicate waltz, very English in spirit. The Lopsided Polka is just that (imagine three old ladies playing in the Pump Room in Bath, with none of them able to agree on the time signatures or the rhythms in this polka. Valse d'Amour is a beautiful melody played on the 'cello, whose intention it is to remind the listener of the love theme from a turn of the century operetta, and Midsummer Waltz is a happy forward looking dance, simple and straightforward with a charm all of its own. For colleges, conservatories and professionals.

£13.95

The first movement First Waltz is a delicate waltz, very English in spirit. The Lopsided Polka is just that (imagine three old ladies playing in the Pump Room in Bath, with none of them able to agree on the time signatures or the rhythms in this polka. Valse d'Amour is a beautiful melody played on the 'cello, whose intention it is to remind the listener of the love theme from a turn of the century operetta, and Midsummer Waltz is a happy forward looking dance, simple and straightforward with a charm all of its own. For colleges, conservatories and professionals.

£13.95

The first movement First Waltz is a delicate waltz, very English in spirit. The Lopsided Polka is just that (imagine three old ladies playing in the Pump Room in Bath, with none of them able to agree on the time signatures or the rhythms in this polka). Valse d'Amour is a beautiful melody played on the 'cello, whose intention it is to remind the listener of the love theme from a turn of the century operetta, and Midsummer Waltz is a happy forward looking dance, simple and straightforward with a charm all of its own. For colleges, conservatories and professionals.

£13.95

The first movement First Waltz is a delicate waltz, very English in spirit. The Lopsided Polka is just that (imagine three old ladies playing in the Pump Room in Bath, with none of them able to agree on the time signatures or the rhythms in this polka). Valse d'Amour is a beautiful melody played on the 'cello, whose intention it is to remind the listener of the love theme from a turn of the century operetta, and Midsummer Waltz is a happy forward looking dance, simple and straightforward with a charm all of its own. For colleges, conservatories and professionals.

£12.95

Oboe and bassoon are joined by a lively string bass in this charming English chamber work. For colleges, conservatories and professionals.

£9.95

Oboe and bassoon are joined by a lively string bass in this charming English chamber work. For colleges, conservatories and professionals.

£5.95

Oboe and bassoon are joined by a lively string bass in this charming English chamber work. For colleges, conservatories and professionals.

£21.95

A musical representation of the city or area of the titles as experienced by the composer. The music is drawn from pop, rock, jazz and jazz funk.

£15.95

A musical representation of the city or area of the titles as experienced by the composer. The music is drawn from pop, rock, jazz and jazz funk.

£8.95

A musical representation of the city or area of the titles as experienced by the composer. The music is drawn from pop, rock, jazz and jazz funk.

£3.75

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£3.75

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£3.75

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£11.95

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£3.75

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£3.75

A musical representation of the city or area of the titles as experienced by the composer Martin Yates. The music is drawn from pop, rock, jazz and jazz funk.

£56.25

Your purchase will consist of the following set of Parts:

     5 x First Violin
     4 x Second Violin
     3 x Viola
     2 x 'Cello
     1 x Double Bass

Extra parts available on request

A musical representation of the city or area of the titles as experienced by the composer. The music is drawn from pop, rock, jazz and jazz funk.

£11.95

A musical representation of the city or area of the titles as experienced by the composer. The music is drawn from pop, rock, jazz and jazz funk.

£15.95

This piece is all about the fun side of country music. Don't Ask is the simple answer to the question asking what happens next. Freedom is a spiritual from the rural state of Tennessee, starting with a lone plaintive cry that becomes a statement of optimism as more people join in. In Pam! Bam! Zonk! the drinking gets a little too much for some, so this movement is a glorious fight.

£11.95

This piece is all about the fun side of country music. Don't Ask is the simple answer to the question asking what happens next. Freedom is a spiritual from the rural state of Tennessee, starting with a lone plaintive cry that becomes a statement of optimism as more people join in. In Pam! Bam! Zonk! the drinking gets a little too much for some, so this movement is a glorious fight.

£6.95

This piece is all about the fun side of country music. Don't Ask is the simple answer to the question asking what happens next. Freedom is a spiritual from the rural state of Tennessee, starting with a lone plaintive cry that becomes a statement of optimism as more people join in. In Pam! Bam! Zonk! the drinking gets a little too much for some, so this movement is a glorious fight.

£21.95

This quartet evokes the sounds and attitudes of The Big Apple

£15.95

This quartet evokes the sounds and attitudes of The Big Apple

£8.95

This quartet evokes the sounds and attitudes of The Big Apple

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 1 makes use of the full range of the instrument, giving scope for both tone production and dexterity. The second movement provides a break between the more difficult first and third movements. The third movement is the most difficult technically and is more rhythmic in character than the other movements and calls for some bravura, although it ends quietly and gently. For secondary schools, colleges, conservatories and professionals.

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 1 makes use of the full range of the instrument, giving scope for both tone production and dexterity. The second movement provides a break between the more difficult first and third movements. The third movement is the most difficult technically and is more rhythmic in character than the other movements and calls for some bravura, although it ends quietly and gently. For secondary schools, colleges, conservatories and professionals.

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 2 is less demanding technically than that of the first sonatina, being more about phrasing and tone production. The player needs to be very aware of what is coming later, so as to grade the dynamics adequately. The second movement gives the opportunity to concentrate on making a beautiful sound and grading the dynamics with care. The viola starts the third movement on its own with the fugue subject, and so needs to be played with confidence as the way the music skips from string to string can be daunting. It is quite a difficult movement to bring off, but very satisfying nonetheless. For secondary schools, colleges, conservatories and professionals.

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 2 is less demanding technically than that of the first sonatina, being more about phrasing and tone production. The player needs to be very aware of what is coming later, so as to grade the dynamics adequately. The second movement gives the opportunity to concentrate on making a beautiful sound and grading the dynamics with care. The viola starts the third movement on its own with the fugue subject, and so needs to be played with confidence as the way the music skips from string to string can be daunting. It is quite a difficult movement to bring off, but very satisfying nonetheless. For secondary schools, colleges, conservatories and professionals.

£9.95

Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.

£9.95

Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.