£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£5.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£5.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£3.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

£3.95

The haunting melody, that forms the chorus of this song, started life in 1892 as an Andantino for organ by Edwin Henry Lemare. Its opening phrase had an even earlier birth, however, bearing as it does an uncanny resemblance to that of the Adagio of Mozart's Hunt quartet. This may explain the arranger Bill Thorp's musical treatment, his original marking "in hot pursuit", and the dedication to the celebrated Pizza Express quartet at Dean Street, Soho, London; for in medieval times this area was farming and hunting land, its name deriving from the old hunting cry of "So-ho!"

Review: "A clever arrangement of a well know tune from the talented pen of Bill Thorp. Originally made for the practical reason of having new and interesting music for regular dates in some of London's famour pizza parlours, the arrangements are also suitable for concerts, encores, or just enjoyment. For schools, studios, professionals." - New Issues October 1994

£7.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£7.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£3.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£3.95

In spite of his reputation for bombast, Liszt was always capable of writing beautiful, delicate and original music, of which these two Consolations, arranged by Carlo Martelli, are a good example.

£10.95

Carlo Martelli, with great skill and imagination, has translated the virtuoso piano writing for which Liszt is famous to the string quartet.

£10.95

Carlo Martelli, with great skill and imagination, has translated the virtuoso piano writing for which Liszt is famous to the string quartet.

£5.95

Carlo Martelli, with great skill and imagination, has translated the virtuoso piano writing for which Liszt is famous to the string quartet.

£5.95

Carlo Martelli, with great skill and imagination, has translated the virtuoso piano writing for which Liszt is famous to the string quartet.

£9.95

Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.

£9.95

Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.

£5.95

Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.

£5.95

Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.

£7.95

This popular piece, arranged by Carlo Martelli from Massenet's opera Thaïs, accompanies the seduction of a priest by a prostitute.

£7.95

This popular piece, arranged by Carlo Martelli from Massenet's opera Thaïs, accompanies the seduction of a priest by a prostitute.

£3.95

This popular piece, arranged by Carlo Martelli from Massenet's opera Thaïs, accompanies the seduction of a priest by a prostitute.

£3.95

This popular piece, arranged by Carlo Martelli from Massenet's opera Thaïs, accompanies the seduction of a priest by a prostitute.

£11.95

The spirit of this sparkling and joyous movement from Mendelssohn's famous and well-loved symphony is brilliantly captured and sustained in Carlo Martelli's superb adaptation for string quartet. For conservatories and professionals.

£11.95

The spirit of this sparkling and joyous movement from Mendelssohn's famous and well-loved symphony is brilliantly captured and sustained in Carlo Martelli's superb adaptation for string quartet. For conservatories and professionals.

£6.95

The spirit of this sparkling and joyous movement from Mendelssohn's famous and well-loved symphony is brilliantly captured and sustained in Carlo Martelli's superb adaptation for string quartet. For conservatories and professionals.

£6.95

The spirit of this sparkling and joyous movement from Mendelssohn's famous and well-loved symphony is brilliantly captured and sustained in Carlo Martelli's superb adaptation for string quartet. For conservatories and professionals.

£7.95

This famous piece, arranged by Carlo Martelli, introduces the second act of Shakespeare's play and has long been regarded as the quintessence of the many marvellous Mendelssohnian scherzi.

£7.95

This famous piece, arranged by Carlo Martelli, introduces the second act of Shakespeare's play and has long been regarded as the quintessence of the many marvellous Mendelssohnian scherzi.

£5.95

This famous piece, arranged by Carlo Martelli, introduces the second act of Shakespeare's play and has long been regarded as the quintessence of the many marvellous Mendelssohnian scherzi.

£5.95

This famous piece, arranged by Carlo Martelli, introduces the second act of Shakespeare's play and has long been regarded as the quintessence of the many marvellous Mendelssohnian scherzi.