£7.95

Hovering between masque and pastoral opera, this arrangement by Carlo Martelli from Acis and Galatea is the chorus that concludes part one, voicing the foreboding of the tragedy that is about to fall on the two innocent young lovers.

£7.95

Hovering between masque and pastoral opera, this arrangement by Carlo Martelli from Acis and Galatea is the chorus that concludes part one, voicing the foreboding of the tragedy that is about to fall on the two innocent young lovers.

£3.95

Hovering between masque and pastoral opera, this arrangement by Carlo Martelli from Acis and Galatea is the chorus that concludes part one, voicing the foreboding of the tragedy that is about to fall on the two innocent young lovers.

£3.95

Hovering between masque and pastoral opera, this arrangement by Carlo Martelli from Acis and Galatea is the chorus that concludes part one, voicing the foreboding of the tragedy that is about to fall on the two innocent young lovers.

£7.95

Handel's 1727 coronation ode for chorus and orchestra is here expertly adapted by Carlo Martelli to the more intimate medium of the string quartet. For colleges, conservatories, amateurs and professionals.

£7.95

Handel's 1727 coronation ode for chorus and orchestra is here expertly adapted by Carlo Martelli to the more intimate medium of the string quartet. For colleges, conservatories, amateurs and professionals.

£4.95

Handel's 1727 coronation ode for chorus and orchestra is here expertly adapted by Carlo Martelli to the more intimate medium of the string quartet. For colleges, conservatories, amateurs and professionals.

£4.95

Handel's 1727 coronation ode for chorus and orchestra is here expertly adapted by Carlo Martelli to the more intimate medium of the string quartet. For colleges, conservatories, amateurs and professionals.

£8.95

An extremely popular series of 12 variations by Ronald Read on the well known 'Happy Birthday' theme. Each variation is in a distinctive classical or popular style. The final variation is a 'Fughetta' with a surprise ending. All parts are of medium difficulty, although there is a 'cello cadenza that might require a little practice.

£8.95

An extremely popular series of 12 variations by Ronald Read on the well known 'Happy Birthday' theme. Each variation is in a distinctive classical or popular style. The final variation is a 'Fughetta' with a surprise ending. All parts are of medium difficulty, although there is a 'cello cadenza that might require a little practice.

£4.95

An extremely popular series of 12 variations by Ronald Read on the well known 'Happy Birthday' theme. Each variation is in a distinctive classical or popular style. The final variation is a 'Fughetta' with a surprise ending. All parts are of medium difficulty, although there is a 'cello cadenza that might require a little practice.

£4.95

An extremely popular series of 12 variations by Ronald Read on the well known 'Happy Birthday' theme. Each variation is in a distinctive classical or popular style. The final variation is a 'Fughetta' with a surprise ending. All parts are of medium difficulty, although there is a 'cello cadenza that might require a little practice.

£9.95

An expertly contrived arrangement by Carlo Martelli of the most famous movement from Holst's ever popular suite, which contains the well known tune I Vow to Thee my Country.

£9.95

An expertly contrived arrangement by Carlo Martelli of the most famous movement from Holst's ever popular suite, which contains the well known tune I Vow to Thee my Country.

£5.95

An expertly contrived arrangement by Carlo Martelli of the most famous movement from Holst's ever popular suite, which contains the well known tune I Vow to Thee my Country.

£5.95

An expertly contrived arrangement by Carlo Martelli of the most famous movement from Holst's ever popular suite, which contains the well known tune I Vow to Thee my Country.

£7.95

Although this march was originally written for military band as part of the composers three movement Suite in E Flat the arranger Carlo Martelli felt that it would adapt well for the string quartet medium and such has proved to be the case. For secondary schools, colleges, conservatories, libraries, amateurs and professionals.

£7.95

Although this march was originally written for military band as part of the composers three movement Suite in E Flat the arranger Carlo Martelli felt that it would adapt well for the string quartet medium and such has proved to be the case. For secondary schools, colleges, conservatories, libraries, amateurs and professionals.

£4.95

Although this march was originally written for military band as part of the composers three movement Suite in E Flat the arranger Carlo Martelli felt that it would adapt well for the string quartet medium and such has proved to be the case. For secondary schools, colleges, conservatories, libraries, amateurs and professionals.

£4.95

Although this march was originally written for military band as part of the composers three movement Suite in E Flat the arranger Carlo Martelli felt that it would adapt well for the string quartet medium and such has proved to be the case. For secondary schools, colleges, conservatories, libraries, amateurs and professionals.

£7.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£7.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music such as the graceful Bethena, which he called a concert waltz, arranged here for string quartet by Bill Thorp.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£3.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form, and his second published rag, Maple Leaf (to which Roseleaf Rag, arranged here for string quartet by Bill Thorp, makes a worthy counterpart), was a nationwide hit in 1899.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.

£5.95

Scott Joplin was born into a poor black family in Texas in 1868, just three years after the abolition of slavery. As a teenager he left home to work as a saloon pianist in St Louis, a cosmopolitan Mississippi port and the birthplace of Ragtime, the lively piano style which had developed from syncopated minstrel songs and dances. Among many talented black pianists Joplin was the first with the ability to set down in musical notation this new art form. Besides rags Joplin wrote other sorts of piano music, such as the lovely Solace (featured in the hit film The Sting, and arranged here for string quartet by Bill Thorp), whose gentle melancholy and emotionally-charged pauses are overlaid on the rhythms of a Mexican Serenade.