Mozart, Wolfgang Amadeus

Of Mozart's five most often heard operas Il Seraglio was the first to be composed. This arrangement by Carlo Martelli of the brilliant and vivacious overture, with its plaintive middle section, is of the version with a concert ending.

Of Mozart's five most often heard operas Il Seraglio was the first to be composed. This arrangement by Carlo Martelli of the brilliant and vivacious overture, with its plaintive middle section, is of the version with a concert ending.

This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.

This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.

Mozart's penultimate opera, written for a suburban theatre to a fairy-tale plot, was completed only a few months before his tragic early death. The overture has been arranged by Carlo Martelli for string quartet with all his customary brilliance.

Mozart's penultimate opera, written for a suburban theatre to a fairy-tale plot, was completed only a few months before his tragic early death. The overture has been arranged by Carlo Martelli for string quartet with all his customary brilliance.

One Mad Day was an alternative title for Mozart's famous opera, and that aspect is what is so superbly captured in this breathlessly bustling overture, here expertly transcribed for string quartet by Carlo Martelli. Ideal for colleges, conservatories and professionals.

One Mad Day was an alternative title for Mozart's famous opera, and that aspect is what is so superbly captured in this breathlessly bustling overture, here expertly transcribed for string quartet by Carlo Martelli. Ideal for colleges, conservatories and professionals.