Sheet Music

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.

The central movement ​Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.

The central movement ​Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.

In a lovely arrangement by Bill Thorp, this ever popular piece forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The wistful Salut d'Amour nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.

In a lovely arrangement by Bill Thorp, this ever popular piece forms part of a group of Edward Elgar's much-loved salon pieces, that are as fresh and exquisite as when first conceived over a century ago. The wistful Salut d'Amour nostalgically evokes the (appropriately) Edwardian golden age, and will be ever-popular because it is so beautifully written.

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the first suite.

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the first suite.

Sun Dance is the fourth movement of Elgar's Wand of Youth Suite No. 1, first performed at the Queen's Hall in London in December 1907 and conducted by Henry Wood - arranged here for String Quartet by Carlo Martelli.

Sun Dance is the fourth movement of Elgar's Wand of Youth Suite No. 1, first performed at the Queen's Hall in London in December 1907 and conducted by Henry Wood - arranged here for String Quartet by Carlo Martelli.

The Little Bells is the second movement of Elgar's Wand of Youth Suite No. 2 - it was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.  Now arranged for String Quartet by Carlo Martelli.

The Little Bells is the second movement of Elgar's Wand of Youth Suite No. 2 - it was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.  Now arranged for String Quartet by Carlo Martelli.

Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.

Arranged for string quartet by Carlo Martelli, this lively piece, better known in its orchestral arrangement, is the final movement of a suite of choral songs Elgar composed while on holiday in Bavaria. For conservatories and professionals.

At the height of his maturity as a composer, Elgar made two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is the penultimate number from the second suite and is ideal for colleges.

At the height of his maturity as a composer, Elgar made two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is the penultimate number from the second suite and is ideal for colleges.

The Wild Bears, here arranged by Carlo Martelli for String Quartet, is the last movement from Elgar's second Wand of Youth Suite and has become a favourite concert encore.

The Wild Bears, here arranged by Carlo Martelli for String Quartet, is the last movement from Elgar's second Wand of Youth Suite and has become a favourite concert encore.