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Mike Dale - Pixillation (Saxophone Quartet)
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Saxophone Quartet

Mike Dale – Pixillation (Saxophone Quartet)

£8.95

Pixillation, composed by Mike Dale, is a melodic piece with many rhythmic and harmonic contrasts. After a short tranquil yet rhythmic introduction the first theme starts in a tango style, maintaining a rhythmic feel throughout. Although the tune at this time is clearly played by the soprano, the alto and tenor saxophones frequently interject with short counter melodies. The piece ends with a scattering of notes from the accompanying instruments with the soprano soaring over the top, before a gentle and quiet finish. Pixillation received its premier at the Didsbury Arts Festival in September 2011, played by the Quagga Saxophone Quartet.

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Morley
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Brass Quintet

Morley, Byrd, Greaves, Wilby & Weelkes – An Elizabethan Celebration, Five Madrigals (Brass Quintet)

£11.95

This is a charming collection of madrigals arranged effectively for brass quintet by Ian Lawrence.

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Mozart - Divertimento No. 14
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Wind Quintet

Mozart – Divertimento No. 14, K270 (Wind Quintet)

£11.95

An arrangement for wind quintet by Alan Civil of this excellently crafted piece of music.

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Mozart - Five Flute Duets
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Flute Duet

Mozart – Five Flute Duets

£6.95

This collection consists of arrangements by Martin Parry of five popular Mozart opera melodies - the Bird Catcher's Song and Papageno's Aria from The Magic Flute, Figaro's Aria from The Marriage of Figaro, Canzonetta from Don Giovanni and The Drunkard's Duet from Il Seraglio.

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Mozart - Il Seraglio Overture (String Quartet Parts)
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Mozart, Wolfgang Amadeus

Mozart – Il Seraglio Overture (String Quartet Parts)

£7.95

Of Mozart's five most often heard operas Il Seraglio was the first to be composed. This arrangement by Carlo Martelli of the brilliant and vivacious overture, with its plaintive middle section, is of the version with a concert ending.

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Mozart - Il Seraglio Overture (String Quartet Score)
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Mozart, Wolfgang Amadeus

Mozart – Il Seraglio Overture (String Quartet Score)

£4.95

Of Mozart's five most often heard operas Il Seraglio was the first to be composed. This arrangement by Carlo Martelli of the brilliant and vivacious overture, with its plaintive middle section, is of the version with a concert ending.

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Mozart - Symphony No. 40 Movement 1
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Mozart, Wolfgang Amadeus

Mozart – Symphony No. 40 Movement 1, K550 (String Quartet Parts)

£11.95

This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.

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Mozart - Symphony No. 40 Movement 1
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Mozart, Wolfgang Amadeus

Mozart – Symphony No. 40 Movement 1, K550 (String Quartet Score)

£5.95

This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.

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Mozart - The Magic Flute Overture (Horn Quartet)
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Horn Quartet

Mozart – The Magic Flute Overture (Horn Quartet)

£10.95

A fun arrangement by Alan Civil of the overture of this ever popular opera.

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Mozart - The Magic Flute Overture (String Quartet Parts)
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Mozart, Wolfgang Amadeus

Mozart – The Magic Flute Overture (String Quartet Parts)

£7.95

Mozart's penultimate opera, written for a suburban theatre to a fairy-tale plot, was completed only a few months before his tragic early death. The overture has been arranged by Carlo Martelli for string quartet with all his customary brilliance.

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Mozart - The Magic Flute Overture (String Quartet Score)
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Mozart, Wolfgang Amadeus

Mozart – The Magic Flute Overture (String Quartet Score)

£4.95

Mozart's penultimate opera, written for a suburban theatre to a fairy-tale plot, was completed only a few months before his tragic early death. The overture has been arranged by Carlo Martelli for string quartet with all his customary brilliance.

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Mozart - The Marriage of Figaro Overture (String Quartet Parts)
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Mozart, Wolfgang Amadeus

Mozart – The Marriage of Figaro Overture (String Quartet Parts)

£9.95

One Mad Day was an alternative title for Mozart's famous opera, and that aspect is what is so superbly captured in this breathlessly bustling overture, here expertly transcribed for string quartet by Carlo Martelli. Ideal for colleges, conservatories and professionals.

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Mozart - The Marriage of Figaro Overture (String Quartet Score)
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Mozart, Wolfgang Amadeus

Mozart – The Marriage of Figaro Overture (String Quartet Score)

£5.95

One Mad Day was an alternative title for Mozart's famous opera, and that aspect is what is so superbly captured in this breathlessly bustling overture, here expertly transcribed for string quartet by Carlo Martelli. Ideal for colleges, conservatories and professionals.

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Mozart - The Sleighride from Thirteen German Dances
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Brass Quintet

Mozart – The Sleighride from Thirteen German Dances, K605 No. 3 (Brass Quintet with Sleighbells)

£9.95

At last, a Mozart arrangement that works for brass! A charming ländler but with the colourful addition of a piccolo trumpet that represents the post horn, and a set of tuned sleighbells (that can be replaced by the more commonly found unpitched sleighbells). Great fun for classy Christmas concerts, but needs a piccolo trumpet player capable of holding high notes! Arranged by Stephen Wick.

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Mozart - Three by Mozart (Flute Quartet)
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Flute Quartet

Mozart – Three by Mozart (Flute Quartet)

£9.95

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

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Murray & Kirkpatrick - Away In A Manger (Flute & Piano)
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Flute & Piano

Murray & Kirkpatrick – Away In A Manger (Flute & Piano)

£6.95

This arrangement of Away in a Manger by Rebecca Faith incorporates two traditional melodies woven together seamlessly to create a refreshing interpretation of a universally familiar song. A verse of the traditional American tune is heard first on the piano before being interrupted by the flute taking over with the British melody. Piano interludes of the American themes return but never in full until the end of the piece where it returns to its original starting point. As much as the familiar melodies are recognisable they are laced with jazzy harmonies and a nonchalant improvisatory style.

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Mussorgsky - Pictures from an Exhibition (Wind Quintet)
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Wind Quintet

Mussorgsky – Pictures from an Exhibition (Wind Quintet)

£10.95

A arrangement by Alan Civil for wind quintet of four of the movements from Mussorgsky's most famous piano composition.

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Nigel Broadbent - Cumulus (Horn & Piano)
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Horn & Piano

Nigel Broadbent – Cumulus (Horn & Piano)

£6.95

A short dramatic piece for horn and piano approximately grade 6 to 7 standard. Written following a day trip to Walton-on-the-Naze in Essex. Inspired by billowing cumulus clouds often seen in the English countryside on a hot summers day. The piece ends with an optional top C.

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Nigel Crouch - Three Dances After Midnight? (Clarinet & Piano)
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Clarinet

Nigel Crouch – Three Dances After Midnight? (Clarinet & Piano)

£11.95

The first movement After Dark has been a Trinity College London Grade 7 Exam Piece since November 2022

Three Dances After Midnight? is a work that displays much of the clarinet's unique character. The first movement is positive with fast lyrical lines, punctuated with accented chromatic figures. The second movement has a long unfolding melody in a slow waltz style, melancholic and reflective in mood. The third movement is playful and quirky with an American influence, and concludes with a klezmer style passage leading to the final rhythmic ending. This work provides the opportunity for the performer to display a rounded technique where fast passagework, characterful articulation and soft lyricism create an ever changing interplay. The gripping opening of After Dark, the gentle melancholy of Before Dawn and the energetic style and bravura climax to Anytime You Like make this an ideal addition to the concert repertoire as well as examination and audition requirements, while the piano is also very much an equal partner throughout the piece.

Three Dances After Midnight? has been recorded on the album Under The Influence with Max Welford on clarinet and Marcus Andrews on piano.

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Norman Kent - Sonatina No. 1 (Viola & Piano)
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Viola & Piano

Norman Kent – Sonatina No. 1 (Viola & Piano)

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 1 makes use of the full range of the instrument, giving scope for both tone production and dexterity. The second movement provides a break between the more difficult first and third movements. The third movement is the most difficult technically and is more rhythmic in character than the other movements and calls for some bravura, although it ends quietly and gently. For secondary schools, colleges, conservatories and professionals.

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Norman Kent - Sonatina No. 2 (Viola & Piano)
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Viola & Piano

Norman Kent – Sonatina No. 2 (Viola & Piano)

£6.95

Norman expanded the woefully small viola repertoire by composing two Sonatinas for Viola and Piano to play in recitals with his brother - they are both tuneful works that are easy to listen to, while at the same time providing some technical problems for the player, which may commend them to proficient students and also for use in recitals. The first movement of Sonatina No. 2 is less demanding technically than that of the first sonatina, being more about phrasing and tone production. The player needs to be very aware of what is coming later, so as to grade the dynamics adequately. The second movement gives the opportunity to concentrate on making a beautiful sound and grading the dynamics with care. The viola starts the third movement on its own with the fugue subject, and so needs to be played with confidence as the way the music skips from string to string can be daunting. It is quite a difficult movement to bring off, but very satisfying nonetheless. For secondary schools, colleges, conservatories and professionals.

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Offenbach - Barcarolle from The Tales of Hoffmann - (String Quartet Parts)
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Offenbach, Jacques

Offenbach – Barcarolle from The Tales of Hoffmann – (String Quartet Parts)

£5.95

This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, arranged by Carlo Martelli, first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann.

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Offenbach - Barcarolle from The Tales of Hoffmann - (String Quartet Score)
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Offenbach, Jacques

Offenbach – Barcarolle from The Tales of Hoffmann – (String Quartet Score)

£3.95

This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, arranged by Carlo Martelli, first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann.

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Paul Lewis - A Somerset Garland (Flute
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Flute & Piano

Paul Lewis – A Somerset Garland (Flute, Violin or Harmonica & Piano)

£9.95

Arrangements of Somerset folk songs to give them a new lease of life and introduce them to audiences who might never otherwise hear them. Very popular with audiences, its individual movements are useful as fillers or encores. Martock Jig and Langport March are also playable on Piccolo. It is a very direct and enjoyable work and is also versatile, with versions for flute, violin or harmonica with piano accompaniment. The original harmonica version is very idiomatically written by the composer, who was long associated with the late great virtuoso Tommy Reilly. It is folk material very well suited to the instrument. For teaching studios, conservatories, libraries, amateurs and professionals. The last movement of this work Langport March was a Trinity College London Grade 5 Exam Piece for Flute between 2007 and 2022.

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Paul Lewis - Divertimento (Flute
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Flute, Viola & Harp

Paul Lewis – Divertimento (Flute, Viola & Harp)

£13.95

A happy work and full of Gallic charm. Many pieces for this combination are moody and introspective and so this can be a very good balancing work in a concert programme. It is fun to play and audiences love it. It is Paul Lewis' most popular and often played chamber work, and has been broadcast on Classic FM Radio and performed in concert by many trios including the world famous Nash Ensemble. For teaching studios, schools, colleges, conservatories, libraries and professionals.

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Paul Lewis - Elemental Spirits (Flute Duet)
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Flute Duet

Paul Lewis – Elemental Spirits (Flute Duet)

£7.95

An unaccompanied work for two flutes, using the entire range of the instrument and many techniques such as flutter tonguing and triple tonguing. It stretches ensemble playing yet lies well beneath the fingers and is haunting and melodious. For schools, colleges, conservatories, libraries and professionals.

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Paul Lewis - Impromptu (Flute
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Flute & Harp

Paul Lewis – Impromptu (Flute, Violin or Harmonica & Harp)

£6.95

A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments.  Requires sensitivity of performance and use of rubato.

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Paul Lewis - Impromptu (Flute
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Flute & Piano

Paul Lewis – Impromptu (Flute, Violin or Harmonica & Piano)

£6.95

A melodic and reflective miniature by Paul Lewis, giving the chance to display legato technique and the expressive possibilities of the instruments. Requires sensitivity of performance and use of rubato.

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Paul Lewis - Impromptu (Piano)
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Piano

Paul Lewis – Impromptu (Piano)

£4.95

This short lyrical piece was originally written for harmonica and harp. It is a free flow of musical thought on a simple melody, described by flautist Rachel Smith as "luscious", which develops by way of numerous key changes and embellishment.

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Paul Lewis - La Fille aux Cheveux Dorés (Flute & Piano)
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Flute & Piano

Paul Lewis – La Fille aux Cheveux Dorés (Flute & Piano)

£6.95

La Fille Aux Cheveux Dores (The Girl with the Golden Hair), composed by Paul Lewis and dedicated to Rachel Smith, is a study in extreme legato and breath control. It is sensuous, delicate, intimate and very French, and has the most gorgeous and romantic tune imaginable. Rachel Smith recorded this work in April 2012 on the CD The World of the Flute, released in 2013 by Polyphonic, QPRZ 029D.

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