Violin, 'Cello & Piano

Often performed as a separate piece in its own right, if preceded with Nocturne, Scherzo and Song without Words these four pieces combine as a substantial recital work.

Often performed as a separate piece in its own right, if followed with Scherzo, Song without Words and Fantasia Stravagante, these four pieces by John Marson combine as a substantial recital work.

Often performed as a separate piece in its own right, if followed with Scherzo, Song without Words and Fantasia Stravagante, these four pieces by John Marson combine as a substantial recital work.

Often performed as a separate piece in its own right, if preceded with Nocturne and Scherzo and followed with Fantasia Stravagante, these four pieces by John Marson combine as a substantial recital work. For colleges, conservatories and professionals.

The first movement First Waltz is a delicate waltz, very English in spirit. The Lopsided Polka is just that (imagine three old ladies playing in the Pump Room in Bath, with none of them able to agree on the time signatures or the rhythms in this polka). Valse d'Amour is a beautiful melody played on the 'cello, whose intention it is to remind the listener of the love theme from a turn of the century operetta, and Midsummer Waltz is a happy forward looking dance, simple and straightforward with a charm all of its own. For colleges, conservatories and professionals.