£9.95

This overture, arranged for string quartet by Carlo Martelli, had previously done service to two other operas by Rossini. However, since those two are virtually forgotten, and The Barber of Seville is one of the most popular operas ever, it is in this titular form that it is remembered.

£5.95

This overture, arranged for string quartet by Carlo Martelli, had previously done service to two other operas by Rossini. However, since those two are virtually forgotten, and The Barber of Seville is one of the most popular operas ever, it is in this titular form that it is remembered.

£5.95

This overture, arranged for string quartet by Carlo Martelli, had previously done service to two other operas by Rossini. However, since those two are virtually forgotten, and The Barber of Seville is one of the most popular operas ever, it is in this titular form that it is remembered.

£8.95

The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.

£8.95

The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.

£5.95

The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.

£5.95

The opera from which this overture gets its title was Rossini's first great success in the field of opera buffa. The overture, now arranged for string quartet by Carlo Martelli, follows the customary pattern for Rossini of slow introduction followed by two skittish tunes with attendant long crescendo to tutti.

£9.95

It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.

£9.95

It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.

£5.95

It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.

£5.95

It was once said by a famous man of letters that "Rossini's genius is that of sheer animal spirits" - this aspect of his work is present in abundance in this sparkling overture deftly arranged here for string quartet by Carlo Martelli.

£7.95

In this arrangement by Carlo Martelli of Rossini's popular overture, the storm sequence has been omitted and the final famous gallop transposed up a semitone to allow for ease of execution and increased resonance for the string quartet medium.

£7.95

In this arrangement by Carlo Martelli of Rossini's popular overture, the storm sequence has been omitted and the final famous gallop transposed up a semitone to allow for ease of execution and increased resonance for the string quartet medium.

£4.95

In this arrangement by Carlo Martelli of Rossini's popular overture, the storm sequence has been omitted and the final famous gallop transposed up a semitone to allow for ease of execution and increased resonance for the string quartet medium.

£4.95

In this arrangement by Carlo Martelli of Rossini's popular overture, the storm sequence has been omitted and the final famous gallop transposed up a semitone to allow for ease of execution and increased resonance for the string quartet medium.

£11.95

This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.

£11.95

This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.

£5.95

This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.

£5.95

This music in this arrangement by Carlo Martelli accompanies the drunken and riotous revelry of the Philistines celebrating their capture of Samson after his betrayal by Delilah, in Act 3 of Saint-Saëns opera.

£11.95

The devil summons the dead from their graves with his fiddle, and skeletons clatter about in waltz rhythm - a scene skilfully evoked by the composer, and here translated to the quartet medium with equal talent by the arranger Carlo Martelli. For colleges, conservatories and professionals.

£11.95

The devil summons the dead from their graves with his fiddle, and skeletons clatter about in waltz rhythm - a scene skilfully evoked by the composer, and here translated to the quartet medium with equal talent by the arranger Carlo Martelli. For colleges, conservatories and professionals.

£6.95

The devil summons the dead from their graves with his fiddle, and skeletons clatter about in waltz rhythm - a scene skilfully evoked by the composer, and here translated to the quartet medium with equal talent by the arranger Carlo Martelli. For colleges, conservatories and professionals.

£6.95

The devil summons the dead from their graves with his fiddle, and skeletons clatter about in waltz rhythm - a scene skilfully evoked by the composer, and here translated to the quartet medium with equal talent by the arranger Carlo Martelli. For colleges, conservatories and professionals.

£7.95

The famous aria, from which this arrangement by Carlo Martelli is derived, occurs in the second act of the opera Samson and Delilah, in which Samson is seduced by Delilah to trick him into being captured by his enemies. For colleges, conservatories and professionals.

£7.95

The famous aria, from which this arrangement by Carlo Martelli is derived, occurs in the second act of the opera Samson and Delilah, in which Samson is seduced by Delilah to trick him into being captured by his enemies. For colleges, conservatories and professionals.

£4.95

The famous aria, from which this arrangement by Carlo Martelli is derived, occurs in the second act of the opera Samson and Delilah, in which Samson is seduced by Delilah to trick him into being captured by his enemies. For colleges, conservatories and professionals.

£4.95

The famous aria, from which this arrangement by Carlo Martelli is derived, occurs in the second act of the opera Samson and Delilah, in which Samson is seduced by Delilah to trick him into being captured by his enemies. For colleges, conservatories and professionals.

£5.95

The Carnival of the Animals, the work from which this most perfect and evocative of melodies comes, was strangely not permitted to be published or performed in the composers lifetime. Here arranged for string quartet by Carlo Martelli, Saint-Saëns considered it a mere piece of persiflage and unworthy of him.

£5.95

The Carnival of the Animals, the work from which this most perfect and evocative of melodies comes, was strangely not permitted to be published or performed in the composers lifetime. Here arranged for string quartet by Carlo Martelli, Saint-Saëns considered it a mere piece of persiflage and unworthy of him.

£3.95

The Carnival of the Animals, the work from which this most perfect and evocative of melodies comes, was strangely not permitted to be published or performed in the composers lifetime. Here arranged for string quartet by Carlo Martelli, Saint-Saëns considered it a mere piece of persiflage and unworthy of him.