Flute Quartet

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Bach's Sleepers Wake, Jesu' Joy and Sheep May Safely Graze, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dvořák’s Humoreske Opus 101 No. 7, themes from the New World Symphony and Slavonic Dance, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dvořák’s Humoreske Opus 101 No. 7, themes from the New World Symphony and Slavonic Dance, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three favourite Mozart melodies, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three pieces by Purcell, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case three pieces by Purcell, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For studios, schools, colleges, conservatories and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dance of the Reed Pipes, Dance of the Sugar Plum Fairy and Waltz of the Flowers from Tchaikovsky's Nutcracker Suite, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

In his Three by series Stephen Morland has compiled and edited favourite themes in an interesting and challenging way. These flute quartets, in this case Dance of the Reed Pipes, Dance of the Sugar Plum Fairy and Waltz of the Flowers from Tchaikovsky's Nutcracker Suite, have been delightfully arranged in such a manner that students of varying ability can have a rewarding and enjoyable musical experience. For schools, studios and professionals.

A quartet for three concert flutes and alto flute. Written in a jazz style, this work was commissioned by the flutes of the BBC Scottish Symphony Orchestra for their flute quartet Aye Flutin'. A romantic, melodic middle section is framed by a quick be-bop movement, making it a real showcase for a flute group with an affinity for jazz. Aye Flutin' has been performed at the Glasgow Royal Concert Hall and broadcast by the group Zauberflöte.