£7.95

Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's. In the early 1960's almost all English hornists played on Alexander horns, hence the title. It was composed when Beethoven's Fidelio was being performed at Glyndebourne. One famous aria in this opera features the horns, and near the end they play individual scale run ups in canon, and so for fun the composer has incorporated this in the piece.

£6.95

Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's. In the early 1960's almost all English hornists played on Alexander horns, hence the title. It was composed when Beethoven's Fidelio was being performed at Glyndebourne. One famous aria in this opera features the horns, and near the end they play individual scale run ups in canon, and so for fun the composer has incorporated this in the piece.

£3.95

Written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's. In the early 1960's almost all English hornists played on Alexander horns, hence the title. It was composed when Beethoven's Fidelio was being performed at Glyndebourne. One famous aria in this opera features the horns, and near the end they play individual scale run ups in canon, and so for fun the composer has incorporated this in the piece.

£9.95

An exciting original jazz show piece to demonstrate the horns agility and get horn players in the groove! It was written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's.

£8.95

An exciting original jazz show piece to demonstrate the horns agility and get horn players in the groove! It was written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's.

£3.95

An exciting original jazz show piece to demonstrate the horns agility and get horn players in the groove! It was written for the Royal Philharmonic Orchestra's horn section to play at Glyndebourne parties in the early 1960's.

£10.95

A very useful addition to an impoverished market for Tenor Saxophone. The third movement was a Guildhall School of Music and Drama exam piece between 2001 and 2004.

£10.95

A very useful addition to an impoverished market for Tenor Saxophone. The third movement was a Guildhall School of Music and Drama exam piece between 2001 and 2004.

£4.95

Licentiate of the Royal Schools of Music (LRSM) Performance Diploma Exam Piece until further notice

The second and last movements Burlesque I and Burlesque II are Associated Board of the Royal Schools of Music (ABRSM) Grade 7 Exam Pieces from 2022 until the end of 2026

A welcome addition to the repertoire for solo saxophone. The whole work has been a Licentiate of the Royal Schools of Music (LRSM) Performance Diploma Exam Piece since 2000. The third and last movements were Associated Board of the Royal Schools of Music (ABRSM) Grade 7 exam pieces between 2002 and 2013, while the first and last movements were Trinity College London exam pieces between 2001 and 2022. This work was also a Trinity College London Performance Certificate exam piece between 2003 and 2006.

Review: "A contemporary suite in four movements, two slow and two fast, making it ideal for recital or contest. For studios, schools, colleges, conservatories and professionals." - New Issues September 1995

£4.95

Licentiate of the Royal Schools of Music (LRSM) Performance Diploma Exam Piece until further notice

The second and last movements Burlesque I and Burlesque II are Associated Board of the Royal Schools of Music (ABRSM) Grade 7 Exam Pieces from 2022 until the end of 2026

A welcome addition to the repertoire for solo saxophone. The whole work has been a Licentiate of the Royal Schools of Music (LRSM) Performance Diploma Exam Piece since 2000. The third and last movements were Associated Board of the Royal Schools of Music (ABRSM) Grade 7 exam pieces between 2002 and 2013, while the first and last movements were Trinity College London exam pieces between 2001 and 2022. This work was also a Trinity College London Performance Certificate exam piece between 2003 and 2006.

Review: "A contemporary suite in four movements, two slow and two fast, making it ideal for recital or contest. For studios, schools, colleges, conservatories and professionals." - New Issues September 1995

£7.95

Strauss's clever set of variations on a simple 'vamp' on tonic and dominant is here arranged for string quartet by Carlo Martelli in characteristic masterly fashion.

£7.95

Strauss's clever set of variations on a simple 'vamp' on tonic and dominant is here arranged for string quartet by Carlo Martelli in characteristic masterly fashion.

£4.95

Strauss's clever set of variations on a simple 'vamp' on tonic and dominant is here arranged for string quartet by Carlo Martelli in characteristic masterly fashion.

£4.95

Strauss's clever set of variations on a simple 'vamp' on tonic and dominant is here arranged for string quartet by Carlo Martelli in characteristic masterly fashion.

£7.95

Inexhaustible melodic fertility is the first characteristic that strikes one in the work of the younger Johann Strauss, and this waltz is no exception in this regard. Carlo Martelli's adaptation of the original for string quartet is executed with his usual customary brilliance!

£7.95

Inexhaustible melodic fertility is the first characteristic that strikes one in the work of the younger Johann Strauss, and this waltz is no exception in this regard. Carlo Martelli's adaptation of the original for string quartet is executed with his usual customary brilliance!

£5.95

Inexhaustible melodic fertility is the first characteristic that strikes one in the work of the younger Johann Strauss, and this waltz is no exception in this regard. Carlo Martelli's adaptation of the original for string quartet is executed with his usual customary brilliance!

£5.95

Inexhaustible melodic fertility is the first characteristic that strikes one in the work of the younger Johann Strauss, and this waltz is no exception in this regard. Carlo Martelli's adaptation of the original for string quartet is executed with his usual customary brilliance!

£9.95

Perhaps the most famous waltz ever written, this skilful arrangement by Carlo Martelli brilliantly captures all the glitter and romance of a Viennese ballroom.

£9.95

Perhaps the most famous waltz ever written, this skilful arrangement by Carlo Martelli brilliantly captures all the glitter and romance of a Viennese ballroom.

£5.95

Perhaps the most famous waltz ever written, this skilful arrangement by Carlo Martelli brilliantly captures all the glitter and romance of a Viennese ballroom.

£5.95

Perhaps the most famous waltz ever written, this skilful arrangement by Carlo Martelli brilliantly captures all the glitter and romance of a Viennese ballroom.

£9.95

Originally conceived as a brilliant coloratura piece for soprano to dazzle audiences with, this arrangement by Carlo Martelli derives from the better known version for orchestra alone.

£9.95

Originally conceived as a brilliant coloratura piece for soprano to dazzle audiences with, this arrangement by Carlo Martelli derives from the better known version for orchestra alone.

£5.95

Originally conceived as a brilliant coloratura piece for soprano to dazzle audiences with, this arrangement by Carlo Martelli derives from the better known version for orchestra alone.

£5.95

Originally conceived as a brilliant coloratura piece for soprano to dazzle audiences with, this arrangement by Carlo Martelli derives from the better known version for orchestra alone.

£11.95

Sullivan rarely wrote the overtures to his operettas, a duty he usually designated to his associate and copyist, but the overture to Iolanthe is entirely of his own composition, hence its superiority over most of the others. Carlo Martelli's arrangement is based largely on this overture.

£11.95

Sullivan rarely wrote the overtures to his operettas, a duty he usually designated to his associate and copyist, but the overture to Iolanthe is entirely of his own composition, hence its superiority over most of the others. Carlo Martelli's arrangement is based largely on this overture.

£6.95

Sullivan rarely wrote the overtures to his operettas, a duty he usually designated to his associate and copyist, but the overture to Iolanthe is entirely of his own composition, hence its superiority over most of the others. Carlo Martelli's arrangement is based largely on this overture.

£6.95

Sullivan rarely wrote the overtures to his operettas, a duty he usually designated to his associate and copyist, but the overture to Iolanthe is entirely of his own composition, hence its superiority over most of the others. Carlo Martelli's arrangement is based largely on this overture.