£8.95

Fast and furious with all the excitement expected in a finale. Good luck! Arranged by Tom Whitehurst and suitable for colleges, conservatories, professionals, amateurs and community performing groups.

£3.95

Fast and furious with all the excitement expected in a finale. Good luck! Arranged by Tom Whitehurst and suitable for colleges, conservatories, professionals, amateurs and community performing groups.

£7.95

One of the most charming of all the miniatures that Schubert composed originally for piano. This one has a particularly nostalgic association for the present arranger Carlo Martelli as it is the first piece of music he remembers being enchanted by at the age of four!

£7.95

One of the most charming of all the miniatures that Schubert composed originally for piano. This one has a particularly nostalgic association for the present arranger Carlo Martelli as it is the first piece of music he remembers being enchanted by at the age of four!

£3.95

One of the most charming of all the miniatures that Schubert composed originally for piano. This one has a particularly nostalgic association for the present arranger Carlo Martelli as it is the first piece of music he remembers being enchanted by at the age of four!

£3.95

One of the most charming of all the miniatures that Schubert composed originally for piano. This one has a particularly nostalgic association for the present arranger Carlo Martelli as it is the first piece of music he remembers being enchanted by at the age of four!

£6.95

Starting out as a competition piece Conversations by Shawn Meloy is a set of clarinet duets played as though the instruments are conversing. Elements of our own way of speaking are represented, from agreement to frustration, question and answer etc. At times beautiful, at others quite harsh, but in the end a fun, interesting and challenging new work for the versatile clarinet. For colleges, professionals and libraries.

£6.95

Starting out as a competition piece Conversations by Shawn Meloy is a set of clarinet duets played as though the instruments are conversing. Elements of our own way of speaking are represented, from agreement to frustration, question and answer etc. At times beautiful, at others quite harsh, but in the end a fun, interesting and challenging new work for the versatile clarinet. For colleges, professionals and libraries.

£7.95

This polka rounds off the first act of Smetana's ever popular homeland opera. Carlo Martelli's arrangement captures the infectious festive spirit of the original to perfection.

£7.95

This polka rounds off the first act of Smetana's ever popular homeland opera. Carlo Martelli's arrangement captures the infectious festive spirit of the original to perfection.

£4.95

This polka rounds off the first act of Smetana's ever popular homeland opera. Carlo Martelli's arrangement captures the infectious festive spirit of the original to perfection.

£4.95

This polka rounds off the first act of Smetana's ever popular homeland opera. Carlo Martelli's arrangement captures the infectious festive spirit of the original to perfection.

£14.95

Like the music of the more famous operettas, this fine concert overture is rich in spontaneous melody, humorous, rhythmically subtle, harmonized and orchestrated in perfect taste. Carlo Martelli, the arranger of this string quartet reduction has captured the spirit of the original to perfection.

£14.95

Like the music of the more famous operettas, this fine concert overture is rich in spontaneous melody, humorous, rhythmically subtle, harmonized and orchestrated in perfect taste. Carlo Martelli, the arranger of this string quartet reduction has captured the spirit of the original to perfection.

£6.95

Like the music of the more famous operettas, this fine concert overture is rich in spontaneous melody, humorous, rhythmically subtle, harmonized and orchestrated in perfect taste. Carlo Martelli, the arranger of this string quartet reduction has captured the spirit of the original to perfection.

£6.95

Like the music of the more famous operettas, this fine concert overture is rich in spontaneous melody, humorous, rhythmically subtle, harmonized and orchestrated in perfect taste. Carlo Martelli, the arranger of this string quartet reduction has captured the spirit of the original to perfection.

£10.95

This piece won the 1995 Gregynog Composers Award at the Gregynog Music Festival, Wales. It was inspired by Miles Davis's version of George Gershwin's Prayer from Porgy and Bess.

£8.95

This piece won the 1995 Gregynog Composers Award at the Gregynog Music Festival, Wales. It was inspired by Miles Davis's version of George Gershwin's Prayer from Porgy and Bess.

£4.95

This piece won the 1995 Gregynog Composers Award at the Gregynog Music Festival, Wales. It was inspired by Miles Davis's version of George Gershwin's Prayer from Porgy and Bess.

£9.95

Arranged for string quartet by Carlo Martelli, this is one of Tchaikovsky's many famous waltzes in which the lyrical side of his genius is always to the fore.

£9.95

Arranged for string quartet by Carlo Martelli, this is one of Tchaikovsky's many famous waltzes in which the lyrical side of his genius is always to the fore.

£5.95

Arranged for string quartet by Carlo Martelli, this is one of Tchaikovsky's many famous waltzes in which the lyrical side of his genius is always to the fore.

£5.95

Arranged for string quartet by Carlo Martelli, this is one of Tchaikovsky's many famous waltzes in which the lyrical side of his genius is always to the fore.

£6.95

A work for double bass and piano that is another title in the 'Blue' series for solo instruments and piano. Written to be played pizzicato throughout for a 'jazz' player or by an orchestral player with a well developed pizzicato technique. The piano is featured in a jazz style that is composed with improvisation in mind. The work was first performed in Tony Alcock's recital at the Scottish Double Bass Congress at the RSAMD in Glasgow in 2004.

£6.95

A work for double bass and piano that is another title in the 'Blue' series for solo instruments and piano. Written to be played pizzicato throughout for a 'jazz' player or by an orchestral player with a well developed pizzicato technique. The piano is featured in a jazz style that is composed with improvisation in mind. The work was first performed in Tony Alcock's recital at the Scottish Double Bass Congress at the RSAMD in Glasgow in 2004.

£5.95

This work, originally for trombone and piano but including a version for horn and piano, is a delightful composition. The piece was orchestrated by the composer and broadcast by Simon Johnson with the BBC Scottish Symphony Orchestra. It is written in the jazz ballad style, sustained and high in register with a little optional improvisation over the final bars.

£5.95

This work, originally for trombone and piano but including a version for horn and piano, is a delightful composition. The piece was orchestrated by the composer and broadcast by Simon Johnson with the BBC Scottish Symphony Orchestra. It is written in the jazz ballad style, sustained and high in register with a little optional improvisation over the final bars.

£7.95

Another piece in the Blue series for solo instruments and piano, this time for violin and piano. Slow, dreamy and written in the high register of the violin, it has a soft fluid middle section suggestive of bird song. It was first performed by Alisdair Savage at the Little Venice Music Festival in London in 2004 and since then at the BBC in Glasgow and the Elgar Society's concerts in Edinburgh. A difficult piece that needs a secure high register.

£7.95

Another piece in the Blue series for solo instruments and piano, this time for violin and piano. Slow, dreamy and written in the high register of the violin, it has a soft fluid middle section suggestive of bird song. It was first performed by Alisdair Savage at the Little Venice Music Festival in London in 2004 and since then at the BBC in Glasgow and the Elgar Society's concerts in Edinburgh. A difficult piece that needs a secure high register.

£6.95

Deliberately fun and slightly tongue in cheek, this arrangement by Rebecca Faith is challenging but highly enjoyable. The new composed melodies become as much loved as the original tune, seamlessly layered and intertwined. The descending bass line, punchy accents and shifting time signatures give this piece a sense of a 'swing' style. Definitely a piece that requires strong drive and attitude.