£7.95

This jaunty and melodious piece is the first of sixteen written originally for piano duet but better known in their orchestral version, and now arranged for string quartet by Carlo Martelli.

£7.95

This jaunty and melodious piece is the first of sixteen written originally for piano duet but better known in their orchestral version, and now arranged for string quartet by Carlo Martelli.

£4.95

This jaunty and melodious piece is the first of sixteen written originally for piano duet but better known in their orchestral version, and now arranged for string quartet by Carlo Martelli.

£4.95

This jaunty and melodious piece is the first of sixteen written originally for piano duet but better known in their orchestral version, and now arranged for string quartet by Carlo Martelli.

£7.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£7.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£4.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli. 

£4.95

This is the third of Dvořák's eight Slavonic Dances originally composed for piano duet. In their orchestral versions the dances took London by storm in the late 1870's, establishing Dvořák's reputation both in England and in the rest of Europe. Now arranged for string quartet by Carlo Martelli.

£7.95

This dance, arranged by Carlo Martelli for string quartet, is one of the lesser known of the series but contains all the usual attributes of this much loved composer - clean, logical harmony and a rich homophonic melodiousness with fresh and homely emotions.

£7.95

This dance, arranged by Carlo Martelli for string quartet, is one of the lesser known of the series but contains all the usual attributes of this much loved composer - clean, logical harmony and a rich homophonic melodiousness with fresh and homely emotions.

£3.95

This dance, arranged by Carlo Martelli for string quartet, is one of the lesser known of the series but contains all the usual attributes of this much loved composer - clean, logical harmony and a rich homophonic melodiousness with fresh and homely emotions.

£3.95

This dance, arranged by Carlo Martelli for string quartet, is one of the lesser known of the series but contains all the usual attributes of this much loved composer - clean, logical harmony and a rich homophonic melodiousness with fresh and homely emotions.

£7.95

Dvořák wrote two sets of Slavonic Dances in which he expresses his great love of his homeland, a passion derived in its musical manifestation from Smetana. This very well known dance has now been arranged for string quartet by Carlo Martelli. 

£7.95

Dvořák wrote two sets of Slavonic Dances in which he expresses his great love of his homeland, a passion derived in its musical manifestation from Smetana. This very well known dance has now been arranged for string quartet by Carlo Martelli. 

£4.95

Dvořák wrote two sets of Slavonic Dances in which he expresses his great love of his homeland, a passion derived in its musical manifestation from Smetana. This very well known dance has now been arranged for string quartet by Carlo Martelli.

£4.95

Dvořák wrote two sets of Slavonic Dances in which he expresses his great love of his homeland, a passion derived in its musical manifestation from Smetana. This very well known dance has now been arranged for string quartet by Carlo Martelli. 

£7.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£7.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£3.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£3.95

This is an adaptation by Carlo Martelli for string quartet of one of six choral songs the composer wrote while holidaying in Southern Germany. The original version was for harmonium and 4 part chorus. Elgar later orchestrated three of the songs under the title Three Bavarian Dances. For colleges, conservatories and professionals.

£7.95

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

£7.95

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

£3.95

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

£3.95

In the early 1890s, whilst on holiday in Bavaria, Elgar composed several pieces for chorus and keyboard for a group of musicians he met at the inn in which he was staying. He later orchestrated three of the pieces that were published as Three Bavarian Dances - this arrangement is the second movement of that suite. The Pavão Quartet recorded this arrangement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Beethoven, Debussy and Dvořák arrangements also published by Broadbent & Dunn.

£7.95

At the height of his maturity as a composer, Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. Suite Two was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.

£7.95

At the height of his maturity as a composer, Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. Suite Two was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.

£4.95

At the height of his maturity as a composer, Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. Suite Two was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.

£4.95

At the height of his maturity as a composer, Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. Suite Two was first performed in Worcester on the 9th September 1908 as part of the Three Choirs Festival, and was conducted by the composer.

£5.95

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.

£5.95

At the height of his maturity as a composer Elgar composed two suites for orchestra by expanding and developing some incidental music he had composed at the age of twelve for some private theatricals. This arrangement by Carlo Martelli is from the second suite and is ideal for colleges.