The final movement of Debussy’s ever popular suite, transcribed here by Carlo Martelli from the original piano duet version.
Review: “Also available are three other arrangements from Petite Suite – Cortège, En Bateau and Menuet.” – News Notes 2001
£10.95
The final movement of Debussy’s ever popular suite, transcribed here by Carlo Martelli from the original piano duet version.
The final movement of Debussy’s ever popular suite, transcribed here by Carlo Martelli from the original piano duet version.
Review: “Also available are three other arrangements from Petite Suite – Cortège, En Bateau and Menuet.” – News Notes 2001
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
The Passepied is a dance that originated in France and resembles the minuet. This example, arranged by Carlo Martelli from Debussy's Suite Bergamasque, represents a late flowering and highly sophisticated version of the form.
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Debussy, Claude
Debussy arr. Martelli – Cortège from Petite Suite (String Quartet) – Digital Download
This Cortège is in the manner of a ceremonial procession, rather than a funeral procession with which the term is usually associated. Arranged by Carlo Martelli.
Debussy, Claude
Debussy arr. Martelli – Prélude à L’après-midi d’un Faune (String Quartet) – Digital Download
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.