This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.
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This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.
This is an arrangement by Carlo Martelli of a movement from one of a trio of Symphonies which Mozart composed in the space of six weeks towards the end of his short life.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 1 (String Quartet)
This charming and characteristic dance is one of Grieg's many pieces for piano with a distinct national flavour, here expertly transcribed for string quartet by Carlo Martelli. For conservatories and professionals.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Bizet, Georges
Bizet arr. Martelli – Intermezzo and Adagietto from L’Arlésienne Suites (String Quartet)
These are two of the eight pieces that comprise the two suites made from the incidental music that Bizet wrote to Daudet's play. Arranged by Carlo Martelli.
Perhaps the most well known of Liszt's compositions, the unrivalled virtuosity of the original piano version is expertly conveyed in this arrangement by Carlo Martelli for string quartet.
Mozart, Wolfgang Amadeus
Mozart arr. Martelli – The Magic Flute Overture (String Quartet)
Mozart's penultimate opera, written for a suburban theatre to a fairy-tale plot, was completed only a few months before his tragic early death. The overture has been arranged by Carlo Martelli for string quartet with all his customary brilliance.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.