The work from which this arrangement for string quartet by Carlo Martelli was taken was originally a suite for piano, written in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
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The work from which this arrangement for string quartet by Carlo Martelli was taken was originally a suite for piano, written in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
The work from which this arrangement for string quartet by Carlo Martelli was taken was originally a suite for piano, written in free imitation of the style of Couperin. It is perhaps best known in the orchestral version made by the composer.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Bruch, Max Christian Friedrich
Bruch arr. Martelli – Adagio from Violin Concerto in G Minor (String Quartet)
In this arrangement by Carlo Martelli of the beautiful slow movement of Bruch's Violin Concerto the solo part is unchanged and the orchestral part arranged for the other three players.
Ravel, Maurice
Ravel arr. Martelli – Menuet from Le Tombeau de Couperin (String Quartet) – Digital Download
The work from which this piece is taken was originally a suite for piano, written in free imitation of the style of Couperin. Written in memory of Jean Dreyfus at whose home Ravel recuperated after he was demobilized at the end of World War One, it is perhaps best known in the orchestral version made by the composer.
Based on an eclogue by the symbolist poet Mallarmé, this famous piece is a seminal work in the evolution and development of European art music. At first glance it would seem not to lend itself to the quartet medium, but nonetheless Carlo Martelli has succeeded brilliantly in distilling the essence of the composition in all its sensuous beauty and languorousness. For conservatories and professionals.
Ravel, Maurice
Originally written as a piano duet for children, this limpid music was later orchestrated and produced as a ballet. The music loses none of its beauty and charm in this masterful arrangement by Carlo Martelli. Conversations of Beauty and the Beast is based upon the version written by the 18th century French author Jeanne-Marie LePrince de Beaumont. For colleges, conservatories and professionals.
Debussy, Claude
It was in his music for pianoforte that Debussy confided his most personal inspirations. Nonetheless, in the hands of a master like Carlo Martelli they transcribe well to the quartet medium. This tarantella like piece is no exception.
Chabrier, Emmanuel
Chabrier's short but astonishingly brilliant orchestral works, of which España is one, are among the best light music ever written. This arrangement by Carlo Martelli for string quartet captures perfectly the virtuosic nature of the original score.