This is one of the most charming and unpretentious movements from Brahms’ symphonies, expertly transcribed here by Carlo Martelli for the four string instruments.
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This is one of the most charming and unpretentious movements from Brahms’ symphonies, expertly transcribed here by Carlo Martelli for the four string instruments.
This is one of the most charming and unpretentious movements from Brahms’ symphonies, expertly transcribed here by Carlo Martelli for the four string instruments.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
The central movement Nimrod of Elgar's most popular symphonic orchestral work, has in this arrangement by Carlo Martelli had its original key (E flat) transposed to C for the sake of the greater sonority thus attained.
Grieg, Edvard Hagerup
Grieg arr. Martelli – Norwegian Dance Opus 35 No. 2 (String Quartet)
Grieg was essentially a miniaturist and therefore he tended to excel at this kind of piece, which evokes with a few characterized turns and intervals a deep love for his homeland. Arranged by Carlo Martelli.
Brahms wrote 21 Hungarian Dances of which this is one of the most well known. Originally written for piano duet, and here arranged for string quartet by Carlo Martelli, it is in an extravert style with good spanking tunes and simple rhythms.
Carlo Martelli has employed great skill in capturing the oriental flavour of the piece (also known as Princess of the Pagodas). Originally for piano duet but better known in its orchestral version.
Brahms, Johannes
Brahms arr. Martelli – Hungarian Dance No. 6 (String Quartet)
One of the better known of Brahms' many Hungarian Dances originally composed for piano duet. This highly effective arrangement by Carlo Martelli successfully conveys the excitement and verve of the original.
Debussy, Claude
Debussy arr. Martelli – Golliwog’s Cakewalk from Children’s Corner Piano Suite (String Quartet)
This movement from Debussy's Children's Corner piano suite is one of its composers most popular pieces, here skilfully arranged by Carlo Martelli for string quartet.