This movement of Beethoven’s Little Symphony, as he called it, was inspired by the ticking of the metronome which had recently been invented by a friend of the composer. Arranged by Carlo Martelli. For conservatories and professionals.
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This movement of Beethoven’s Little Symphony, as he called it, was inspired by the ticking of the metronome which had recently been invented by a friend of the composer. Arranged by Carlo Martelli. For conservatories and professionals.
This movement of Beethoven’s Little Symphony, as he called it, was inspired by the ticking of the metronome which had recently been invented by a friend of the composer. Arranged by Carlo Martelli. For conservatories and professionals.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Latin American Ludwig (String Quartet)
The similarity between the Mexican Hat Dance and the opening of the last movement of Beethoven's String Quartet No. 3 Opus 18 was the starting point for the inspiration of this arrangement by Carlo Martelli, which skilfully combines the two pieces.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Pathétique Piano Sonata No. 8 Movement 3 (String Quartet)
One of the most well known movements of Beethoven's 32 piano sonatas, this splendid arrangement by Carlo Martelli is a another welcome addition to Broadbent and Dunn's Classic String Quartet Collection.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 7 Movement 2 (String Quartet)
Of all Beethoven's symphonic movements this can claim to be his most popular. Indeed, for many years after its first performance it was sometimes used as a substitute slow movement for the second symphony. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 2 Movement 2 (String Quartet)
Perhaps the most exquisitely beautiful of all Beethoven's symphonic slow movements, this is in essence a love song of the profoundest depth and purity. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Adagio from Pathétique Piano Sonata No. 8 (String Quartet)
One of the most tender and heartfelt of melodies is this slow movement from the Opus 13 Piano Sonata. Indeed the subtitle Pathétique, acquired by the sonata, derives from the mood evoked by this middle movement. Arranged by Carlo Martelli.