This first movement contains the longest introduction of any of Beethoven’s symphonies, and like the succeeding Allegro is almost dance-like in character. Arranged by Carlo Martelli.
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This first movement contains the longest introduction of any of Beethoven’s symphonies, and like the succeeding Allegro is almost dance-like in character. Arranged by Carlo Martelli.
This first movement contains the longest introduction of any of Beethoven’s symphonies, and like the succeeding Allegro is almost dance-like in character. Arranged by Carlo Martelli.
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Carlo Martelli was born on the 12th December 1935 in London to an Italian father and an English mother. By the age of eleven Carlo had developed a passion for the symphony orchestra. Just before his twelfth birthday he started taking regular violin lessons and very soon began writing elaborate orchestral scores achieving a mastery in this field by the age of sixteen, by which time he had obtained a County Scholarship to attend the Royal College of Music in London, studying composition and viola. By the time he was 21 he had written a string quartet and had already had a great deal of success with several large scale serious symphonic compositions, notably his Second Symphony, which had many performances and broadcasts by several major orchestras in the few years after its completion. In the 1960's he turned to film music to make a living, and also worked steadily as a freelance viola player. His arrangements for string quartet, trio and other combinations number well over 250 and are played by hundreds of groups all over the world.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 5 Movement 1 (String Quartet)
As to be or not to be is the one Shakespeare quote that is universally recognised, so too is the opening of this Symphony vis a vis Beethoven. Despite the impression of overwhelming intensity given by this movement, it is one of the most perfectly balanced the composer ever wrote.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 2 Movement 2 (String Quartet) – Digital Download
Perhaps the most exquisitely beautiful of all Beethoven's symphonic slow movements, this is in essence a love song of the profoundest depth and purity. Arranged by Carlo Martelli.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Latin American Ludwig (String Quartet) – Digital Download
The similarity between the Mexican Hat Dance and the opening of the last movement of Beethoven's String Quartet No. 3 Opus 18 was the starting point for the inspiration of this arrangement by Carlo Martelli, which skilfully combines the two pieces.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Moonlight Sonata, Movements 1 and 2 (String Quartet)
The first movement of this sonata is one of Beethoven's most loved pieces, with the nocturnal romantic mood it encapsulates being perfectly captured in this arrangement. The third movement has been published separately. The Pavão Quartet recorded the first movement on the CD Dreaming, released in 2008 on Discrete Recordings DISC0801 and re-released in 2010 on Discadia Records DISCA001. Included on the same CD are four more of Martelli’s Grieg, Elgar, Debussy and Dvořák arrangements also published by Broadbent & Dunn.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 1 Finale (String Quartet)
This gay and skittish movement from Beethoven's earliest symphony recalls Haydn in the character of its themes and their development. The arranger Carlo Martelli has omitted the opening hesitant violin passage.
Beethoven, Ludwig Van
Beethoven arr. Martelli – Symphony No. 2 Movement 2 (String Quartet)
Perhaps the most exquisitely beautiful of all Beethoven's symphonic slow movements, this is in essence a love song of the profoundest depth and purity. Arranged by Carlo Martelli.