This piece will send any congregation home with a light step. It is a toccata like joyful display with a contrasting but undemanding song for the pedals.
Review: “This light, witty, perpetual-motion rondo is an excellent study for brilliant touch and for speed, particularly for the right hand. Although essentially tonal, the piece employs an extended harmonic vocabulary which uses a great many parallel dominant-seventh chords. The driving left hand chords accompany a melody which features rapidly oscillating thirds and chromatic scales. ‘Folly’ could be played on many small instruments: most of the piece can be performed on a single manual with a single flute stop. In two contrasting sections, though, there is a pedal melody for which the organ will need to have a 2′ stop available (either on the pedal, or coupled down). Although the composer calls for a 2′, a 4′ stop sounds acceptable here as well. An 8′ or a 16′ most certainly will not work, though, for harmonic reasons. The score calls for no change of stops or use of the swell pedal during the piece, so, assuming that the player was willing to work out the coordination of the pedal melody for a few measures (25) this would be a fine piece for a pianist-turned-organist looking for a fairly flashy piece without too many “organistic” complexities. The piece lasts 3-4 minutes and would make an excellent etude or a showy encore.” – Wendy Payton in Piano Guild Notes 1998



